The clock on my wall read 1:12 a.m. and I was still scrolling through titles with nothing to commit to. A new month had arrived and my queue was suspiciously empty. You need a plan for March—so I made one, and I’ll guide you through the best genre picks worth your time.
I’m going to be honest: I waded through the noise so you don’t have to. I’m naming the titles I’d choose first—short notes, quick reasons, where to stream. You’ll find horror, sci-fi, and strange little gems across Netflix, Hulu, Disney+, Peacock, Max, Paramount+, Shudder, and the rest.
What should I watch on Netflix in March 2026?
Netflix drops a mix of family-friendly hits and full-throttle genre fare this month—key picks include The Lego Movie, the cult-hungry Saw saga, and action sci-fi like War Machine. If you want binge flow or a single-night winner, I’ll flag which to start with below.
Can I binge the Saw films on Netflix?
Yes—nine of the first ten films land on Netflix on March 19 (note: Spiral is absent). Watching them back-to-back reveals those overlapping threads in a way theatrical runs rarely do.
When is Daredevil: Born Again Season 2 on Disney+?
Season 2 arrives March 24 on Disney+. It’s being released episodically rather than all at once, so expect weekly beats and water-cooler moments rather than an immediate binge.
The lobby smelled of buttered popcorn — The Lego Movie (March 1 on Netflix)
I still laugh at the first line of the script. Phil Lord and Chris Miller’s energy hasn’t aged—this film is a confetti cannon of joy. If you want clever animation that doubles as a meta-commentary on creativity, this is the one to rewatch or introduce to someone new.
A subway poster showed a lone soldier — War Machine (March 6 on Netflix)
Alan Ritchson headlines an energetic Netflix original about elite training and an alien robot threat. It’s lean, propulsive action with enough spectacle to justify a movie night that isn’t trying too hard to be deep.
A group chat planned a horror marathon — The Saw Saga (March 19 on Netflix)
These films feed off one another—watching nine of the first ten in sequence reframes the entire mythology. The saga is a puzzle box that locks tighter with each film; if you enjoy piecing dark timelines together, this is perfect binge material.
A faded film poster sat in a thrift shop window — Fight Club (March 1 on Hulu)
David Fincher’s film remains a cultural touchstone. Streaming on Hulu and Peacock this month, it’s still stirring to revisit the twist and the fury of its social critique.
A festival schedule hinted at a crowd-pleaser — Mike & Nick & Nick & Alice (March 27 on Hulu)
Premiering at SXSW, this gangster-romance-time-travel mashup brings Vince Vaughn, James Marsden, Eiza González, and Jimmy Tatro. If you want bold festival fare that throws genre boundaries around, this is a title to check out.
A neighbor muttered a courtroom line — Dangerous Animals (March 28 on Hulu)
Missed its initial run? Jai Courtney battling sharks is the kind of chaotic, teeth-and-thrills entertainment that rewards late discovery. Add it to a weekend lineup when you want fewer ideas and more adrenaline.
A friend quoted a line from Hell’s Kitchen — Daredevil: Born Again Season 2 (March 24 on Disney+)
Matt Murdock returns for a serialized second season on Disney+. Expect weekly episodes and character beats that lean into the MCU’s darker corners rather than a single-night binge.
A campfire ghost story started a thread — The Blair Witch Trilogy (March 1 on HBO Max)
The original Blair Witch Project remains a found-footage classic; the follow-ups have uneven reputations but bring cult value. If you want to watch how found footage aged across iterations, all three are available this month.
I rewound a scene to find a clue — Memento (March 1 on HBO Max)
Christopher Nolan’s nonlinear mystery that launched a career is back on Max. Guy Pearce anchors a film that rewards attention—short scenes, big payoff.
A kid’s T-shirt waved down the sidewalk — Spider-Man films (March 1 on HBO Max)
Sam Raimi’s original trilogy and Marc Webb’s pair land together. There’s a mix of cinematic highs and campy lows, but they’re all entertaining reminders of why Spider-Man still matters.
A midnight review called the movie ‘peculiar and moving’ — Swiss Army Man (March 1 on HBO Max)
The Daniels’ early oddball feature—dead-body-powered-by-farts—remains a surprisingly humane and inventive piece. It’s a good appetizer if you plan to stream Everything Everywhere All at Once while you’re on Max.
A black-and-white print was taped to a lamppost — The Bride of Frankenstein (March 1 on HBO Max)
James Whale’s 1935 film is often called the pinnacle of early horror. If classic cinema is your refresher course, this is a guiding light.
A Guy Fawkes mask sat behind glass — V for Vendetta (March 1 on HBO Max)
It’s nearly 20 years since its release. The film’s political pulse and James McTeigue’s adaptation still provoke discussion—streaming this month is a good excuse to revisit that conversation.
A distributor’s release list surprised an inbox — Ballerina (March 27 on HBO Max)
Ana de Armas carries this offbeat John Wick spin through style and grit. If you missed the theatrical run, it rewards a second look far beyond expectations.
A dusty sleeve slid out of a bargain bin — Downsizing (March 1 on Paramount+)
Alexander Payne’s Matt Damon vehicle is uneven but interesting—ambitious ideas and strange tonal shifts. It’s worth revisiting if you’re curious where a bold premise can go wrong or right.
An old TV guide mentioned a sci-fi oddity — Evolution (March 1 on Paramount+)
Ivan Reitman’s alien-comedy starring David Duchovny and Julianne Moore is funnier in the memory than in the moment, but it’s a pleasant, goofy time capsule that deserves a second pass.
A comic-book store window drew a crowd — Frank Miller’s Sin City (March 1 on Paramount+)
Robert Rodriguez’s adaptation is still one of the most stylized comic-to-screen translations. High contrast, hard edges, and noir attitude—visually potent and rewatchable.
A calendar app pinged Friday the 13th — The Friday the 13th Films (March 1 on Paramount+)
Paramount+ carries the first eight entries—classic summer-camp slashers that defined a generation of horror viewers. Parts one and three are also on Peacock if you prefer spread-out viewing.
A child’s spy toy blinked under a couch lamp — The Spy Kids Trilogy (March 1 on Paramount+)
Robert Rodriguez’s early family action films remain silly, inventive, and sweet. The first three are streaming; they’re pure, nostalgic fun for mixed-age viewing.
A used VHS case showed a school crest — Young Sherlock Holmes (March 1 on Paramount+)
Barry Levinson directing from a Chris Columbus script gives this one an adventurous, inventive tone. Early CGI moments and a strong cast make it worth revisiting.
A horror thread in a forum heated up — Hostel and Hostel Part II (March 31 on Shudder)
Eli Roth’s films are brutal and intentional in their cruelty. If you want hardcore torture-horror that sparks conversation (and trigger warnings), Shudder has both.
A mixtape resurfaced and memory felt fragile — Eternal Sunshine of the Spotless Mind (March 1 on Peacock)
Gondry and Kaufman’s collaboration is a modern classic. Jim Carrey and Kate Winslet give performances that make the film a repeat watch for anyone curious about memory, love, and narrative invention.
A theater exit filled with disappointed applause — Wicked: For Good (March 20 on Peacock)
The sequel divided audiences in theaters and now lands on Peacock. If you missed it or want to reassess the sequel’s choices, streaming provides distance and context.
A child held a small robot toy tight — The Wild Robot (March 24 on Peacock)
DreamWorks’ adaptation is a moving story about care, survival, and unexpected tenderness. For family viewing that avoids cynicism, this one stands out.
A meme about a deer and horror made the rounds — Bambi: The Reckoning (March 27 on Peacock)
A public-domain twist on a childhood figure—Peacock’s horror take on Bambi is audacious and deliberately provocative. Expect camp, shock value, and conversation fodder.
Want more io9 news? Check out release calendars for Marvel, Star Wars, and Star Trek; follow developments from Warner Bros., Disney, and Paramount; and track what’s next under the DC banner.
I’ve trimmed the month to titles that deserve your clicks—some for spectacle, some for storytelling, some for pure communal yelling. Which of these will you queue first and defend aggressively to anyone asking for recommendations?