Rideshare Simulator Admits AI Use After Saber CEO’s ChatGPT Gloat

Rideshare Simulator Admits AI Use After Saber CEO's ChatGPT Gloat

Midnight alerts woke me. The Steam page for a small sim had changed while I slept. It said, plainly, AI helped build the game.

I read the note. You should read it too.

My phone chimed with a Steam update: Rideshare Stimulator admits to AI use on Steam after Saber CEO gloated over replacing its writer with ChatGPT

I want to be direct with you: Saber Interactive quietly rewrote the story around its newest release. The Steam listing now says Rideshare Stimulator was made “with the help of AI,” naming voice generation, localization, and an “optional Free Ride mode” that contains AI-generated passenger missions and localized dialogue.

A colleague at a café pointed to the game’s page and frowned before I could ask

The page also notes a mix of radio stations with human-made music and AI-generated tracks, and that AI songs are labeled. That admission is far broader than simple translation; it touches narrative, mission content, and soundtrack. The writing, according to Saber, was produced by “a team of human writers,” even though the fired lead writer, Stella Sacco, publicly claimed she’d been replaced by ChatGPT.

Was Rideshare Stimulator written by AI?

The short answer: parts were. The Steam note confirms AI tools were used for voice generation and localization, and that the Free Ride mode includes AI-generated passenger missions and localized dialogue. That means whole mission prompts and character lines could be machine-made, or stitched from human drafts and AI output.

Rideshare Stimulator skyline.
Somewhat solid graphics seem to be the only thing this game’s got going for it. Image via Saber Interactive

A friend replayed a quoted message from the CEO and put his coffee down

Matt Karch, Saber’s chief, wrote an inflammatory public line after Sacco said she’d been replaced by AI: “happy to replace her with AI. At least we would be dealing with someone programmed to be honest.” That post reads as celebration, not explanation. He framed the move as a cost win — cheaper production for a smaller-priced title — and I’d rather pay $9 (€8) for human craft than hand over pennies to a product that smells of regurgitation.

Did Saber replace its writer with ChatGPT?

Stella Sacco claimed she was replaced by ChatGPT. Saber says the writing was done by human writers and that AI assisted with specific systems. That leaves a practical gray zone: a living writer alleges direct replacement, the studio points to a hybrid workflow, and readers are left to judge credibility based on a CEO who publicly cheered the switch.

An editor on my team replayed a clip of one of the AI-labeled tracks and shrugged

The Steam page assures players that AI-generated tracks are labeled, which is a minimal transparency move. Voice generation and localization powered by tools — OpenAI’s ChatGPT for text, and other voice models for speech — are mentioned by type, not by model in many cases. The difference between translation help and mission creation is big. Free Ride’s AI missions are not translation work; they’re procedural narrative delivered to the player.

The writing is a photocopied receipt—flat, warmed-over, and missing edges. Karch’s gloat was a sledgehammer through a living-room window.

A gamer at a party asked whether labels fix the problem

Labels matter. So do incentives. If music or missions are labeled, you can choose to engage or walk away. But the larger issue is cultural: when executives praise replacing humans with models like ChatGPT, they reshape what studios value. That affects pay, working conditions, and the kinds of stories that survive.

I’ve worked with writers and producers who use AI tools responsibly: as editors, idea partners, or localization aids. OpenAI’s ChatGPT, voice synthesis services, and content pipelines can speed up certain tasks. You and I both know speed isn’t the same as quality. The question the industry now faces is whether cost-cutting will become the default standard for small releases.

Will you still trust a story when the byline is human and the sentences may have been stitched by an algorithm?