Clayface Trailer: Eyeball Horror; Peter Jackson to Direct Tintin

Clayface Trailer: Eyeball Horror; Peter Jackson to Direct Tintin

I was halfway through my coffee when the Clayface clip landed in my feed and my stomach tightened. I paused the world and watched a close-up that refused to let me look away. You will feel that tug too—an instinct that something cheap and ordinary just went monstrously wrong.

Io9 2025 Spoiler warning

The Clayface clips — a theater lobby full of murmurs

At a weekday scroll through Warner Bros.’ socials I watched two new Clayface clips that pushed a single idea hard: faces can betray you.

The studio dropped clips that center on eyes and goo, with Naomi Ackie anchored in scenes that feel designed to unnerve. Warner Bros. and Geek Vibes Nation circulated the clips on X, and the editing keeps you suspended between revulsion and curiosity. The trailer is an optical slaughterhouse for retinas.

If you follow genre marketing on platforms like X, Instagram, or Warner Bros.’ channels, you know how a short clip can rewire expectations. Naomi Ackie sells the horror in tiny gestures; the clay effects are practical and digital in conversation. This is eyeball horror by design—intimate, close-up, and unwilling to let you forget the body as a site of betrayal.

What is Clayface about?

The film reimagines a comic-book villain with a focus on body-horror aesthetics and identity unmaking. Warner Bros. positions Clayface as both spectacle and tremor: action beats sit alongside moments meant to stick under your skin.

When is Clayface released?

Clayface opens October 23 in theaters. Follow Warner Bros. and Naomi Ackie’s official channels for clip drops and behind-the-scenes peeks that will keep conversation boiling on X and Instagram.

The Mummy: Book of the Dead — casting chatter over lunch

Over coffee I clicked Dread Central and found casting news that nudges Universal’s monster universe forward.

Egyptian actress Tara Emad has joined The Mummy: Book of the Dead in an undisclosed role, according to Dread Central. She brings regional authority to a franchise that’s trying to balance blockbuster scale with archaeological chill. That casting move reads as a signal the producers want authenticity layered into the spectacle.

Summoner — I overheard colleagues mention Jeremy Slater at a screening

In a hallway conversation about new horror I learned Jeremy Slater’s directorial debut is pulling genre talent.

Deadline reports Stephanie Beatriz and Daniel Ings have joined Summoner, written by the Mortal Kombat II scribe and starring Kevin Bacon as a man dragged into a witness-protection cottage and a demon problem that escalates fast. The project keeps Bacon in a zone he owns—small-personal stakes that crack into cosmic or psychological fallout.

The Adventures of Tintin 2 — a film festival poster on the wall stopped me

At a local cinephile meet-up someone had penciled “Tintin 2” on a whiteboard and the room hummed with disbelief and delight.

Peter Jackson told Screen Rant he’s already written the script for Tintin 2 and plans to make it next. Jackson also mentioned projects like The Shadow of the Past and The Hunt for Gollum. Jackson holds a time-machine map to childhood adventure.

Is Peter Jackson directing Tintin 2?

Yes—Peter Jackson said the second Tintin film has a script and will be his next project, per Screen Rant. That’s a straight line from Jackson’s authority in blockbuster craftsmanship to a property with built-in audience hunger.

Fears to Fathom — a late-night feed showed an indie producer’s post

Scrolling through Deadline I stopped on a story about Scarlet Stallone’s SYRN Productions pairing with game creator Mukul “Rayll” Negi.

Fears to Fathom will be adapted for film and TV from an anthology of psychological-horror games that build dread from ordinary situations—Home Alone, Norwood Hitchhike, Carson House, Ironbark Lookout, Woodbury Getaway, Scratch Creek. The franchise trades monsters for mounting human terror, which makes it attractive to producers who want mood over mythology.

Untitled Vampire Project — a red carpet whisper at the Academy Museum Gala

At a gala afterparty the word “batshit” passed between industry insiders and I kept an ear out.

Hunter Schafer told Dread Central she filmed a “batshit” vampire movie at A24 that might be her favorite thing she’s done. A24’s taste for offbeat, intense horror is well established, so Schafer’s praise deserves attention from anyone who follows auteur-led genre experiments.

In a Violent Nature 2 — an Instagram scroll caught my eye

IFC posted a new poster and my feed erupted with nostalgia for the 2023 original.

The sequel’s poster suggests more environmental menace and practical creature work, which is exactly the currency IFC wants from genre fans.

True Detective — a late-night headline on Deadline made me jot down names

Deadline’s scoop said Antonio Banderas will pair with Nicolas Cage, and it immediately felt like a casting match designed to provoke.

Cage plays Henry Logan opposite Banderas as Rai Garcia in season five, set in Jamaica Bay, New York. The producers are banking on chemistry and reputation—Cage’s oddball intensity plus Banderas’ controlled charisma—to carry a show that has reinvented itself once per season.

Other quick signals — a plugged-in notification tray

Two small items worth bookmarking: Scarlet Stallone’s SYRN and Mukul Negi are adapting the Fears to Fathom games for screen, and Tara Emad’s addition to The Mummy signals a quiet shift toward regional casting authority in blockbuster horror. Dread Central, Deadline, Screen Rant, and IFC remain reliable trackers for this kind of development news.

Cupertino — a trailer pushed into my message thread

I got pinged a trailer that makes a chatbot’s affection the engine of a new episode of Cupertino.

The episode’s trailer leans into tech anxieties about intimacy and AI, a theme that streaming platforms and podcast networks keep returning to when they want a conversation starter.

Want more? Check io9’s guides to streaming and the best sci-fi, fantasy, and horror books this month for a curated view of what matters next. I’m tracking these projects on Deadline, Dread Central, and the studios’ official channels—follow them if you want drop-by-drop updates.

I’ve pointed out patterns, named the channels, and called out creators—what will you be watching first?